Bonnie Raitt, “The comin’ round is going through” (Private Live, 2016)

Had to do it, had to do it, it’s an auction year… Oh, excuse me, an election year!

You got a way of running your mouth / You rant and you rave, and you let il all out / The thing about it, little that you say is true / Why bother checkin’, the facts will be damned / It’s how you spin it, it’s part of the plan / Well I’m here to tell you baby that / Your sicken loan is coming due

Only so long you can keep this charade / Until they wake up and see they’ve been played / Too many people with their livin’ at stake / Ain’t gonna take it / Comin’ round is going through / Comin’ round is going through

You say it’s workin’, it’s tricklin’ down / Yeah, there’s a trick, ’cause the jobs ain’t around / From where you’re sittin’ tell me how you think you possibly know? / The way it feels to get turned away / Never enough, it’s day after day / Yank that by your bootstraps baby / That’s the way it really goes

Only so long you can keep this charade / Until they wake up and see they’ve been played / Too many people with their livin’ at stake / Ain’t gonna take it / Comin’ round is going through / The comin’ round is going through

’Cause when the moneys makin’ money, anything you can do / They got their hands on the throttle and nobody gets through / You can work all your life for a hand that will play / With one role of the dice it gets swept away

Just look around, things are startin’ to slip / You’re outta control and you’re losin’ your grip / No way to stop it, cause that river’s spillin’ over for good / We don’t have the answer, we know what it’s not / ’Cause the people will keep pushin’ until they all get a shot / Your money’s no good here, we wouldn’t cash you a check if we could

Only so long you can keep this charade / Until they wake up and see they’ve been played / Too many people with their livin’ at stake / Ain’t gonna take it / The comin’ round is going through / Comin’ round is going through…

[By Bonnie Raitt – George Marinelli © Redwing Records, 2016]

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